The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... Anthonio , his sentence struc- tures are rhetorically balanced and still grammatical to modern eyes . Here , with Shylock , there are at least three benefits to dropping the sentence : the unusualness of the speech is immediately ...
... Anthonio , his sentence struc- tures are rhetorically balanced and still grammatical to modern eyes . Here , with Shylock , there are at least three benefits to dropping the sentence : the unusualness of the speech is immediately ...
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... Anthonio's barbed commentary on the rest of the marooned party , pp . 24-25 this text . If they are speaking prose , as suggested by The Arden Shakespeare , listed below , Appendix G , pp . 61-165 ; the Oxford Textual Companion , op ...
... Anthonio's barbed commentary on the rest of the marooned party , pp . 24-25 this text . If they are speaking prose , as suggested by The Arden Shakespeare , listed below , Appendix G , pp . 61-165 ; the Oxford Textual Companion , op ...
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... Anthonio , Prospero's treacherous usurping brother , pp . 31–35 in this text , II . 2.1.209–336 . If all nineteen of the modern split line assessments are fol- lowed , as well as the occasional modern metric restructurings of F1's ...
... Anthonio , Prospero's treacherous usurping brother , pp . 31–35 in this text , II . 2.1.209–336 . If all nineteen of the modern split line assessments are fol- lowed , as well as the occasional modern metric restructurings of F1's ...
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... Anthonio . And there is one grammatically horrible section modern texts cannot tolerate . Ferdinand arrives on the island believing he has lost his father , uncle , and friends in the shipwreck . Essentially , he is led in by Ariel's ...
... Anthonio . And there is one grammatically horrible section modern texts cannot tolerate . Ferdinand arrives on the island believing he has lost his father , uncle , and friends in the shipwreck . Essentially , he is led in by Ariel's ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse