The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... FOLIO EDITIONS The Tempest WILLIAM SHAKESPEARE PREPARED & ANNOTATED BY NEIL FREEMAN APPLAUSE FIRST FOLIO EDITIONS The Tempest BY William Shakespeare PREPARED. Front Cover.
... FOLIO EDITIONS The Tempest WILLIAM SHAKESPEARE PREPARED & ANNOTATED BY NEIL FREEMAN APPLAUSE FIRST FOLIO EDITIONS The Tempest BY William Shakespeare PREPARED. Front Cover.
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William Shakespeare Neil Freeman. APPLAUSE FIRST FOLIO EDITIONS The Tempest BY William Shakespeare PREPARED & ANNOTATED BY NEIL FREEMAN APPLAUSE ♡ NEW YORK LONDON The Applause Shakespeare Library Folio Texts AN APPLAUSE ORIGINAL The.
William Shakespeare Neil Freeman. APPLAUSE FIRST FOLIO EDITIONS The Tempest BY William Shakespeare PREPARED & ANNOTATED BY NEIL FREEMAN APPLAUSE ♡ NEW YORK LONDON The Applause Shakespeare Library Folio Texts AN APPLAUSE ORIGINAL The.
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... Folio Scripts 1991–96 Copyright © 1998 by Folio Scripts , Vancouver , Canada ISBN : 1-55783-295-1 All rights to use of hard copy reserved . No part of this print copy may be reproduced or transmitted in any form or by any means ...
... Folio Scripts 1991–96 Copyright © 1998 by Folio Scripts , Vancouver , Canada ISBN : 1-55783-295-1 All rights to use of hard copy reserved . No part of this print copy may be reproduced or transmitted in any form or by any means ...
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... FOLIO ACT , SCENE , AND LINE NUMBERING SPECIFIC TO THIS TEXT ..... xxvi COMMON TYPESETTING PECULIARITIES OF THE FOLIO AND QUARTO TEXTS ................ ..xxix FOOTNOTE CODE .......... ........ xxxiii ALPHABETICAL FOOTNOTE CODING ...
... FOLIO ACT , SCENE , AND LINE NUMBERING SPECIFIC TO THIS TEXT ..... xxvi COMMON TYPESETTING PECULIARITIES OF THE FOLIO AND QUARTO TEXTS ................ ..xxix FOOTNOTE CODE .......... ........ xxxiii ALPHABETICAL FOOTNOTE CODING ...
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... Folio Text , and to Tina Packer who ( with Kristin Linklater and all the members of Shakespeare & Co. ) allowed me to explore the texts on the rehearsal floor . To Jane Nichols for her enormous generosity in providing the funding which ...
... Folio Text , and to Tina Packer who ( with Kristin Linklater and all the members of Shakespeare & Co. ) allowed me to explore the texts on the rehearsal floor . To Jane Nichols for her enormous generosity in providing the funding which ...
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Adrian altered Anthonio Anthonio Sebastian APPLAUSE Ariel Prospero beleeve Boteswaine brother Caliban cam'st Ceres character Cicely Berry comma commas marked compositor do's do'st Duke of Millaine Elizabethan ENTER ARIELL Exeunt Exit F2/most modern texts F3/most Father Ferdinand Ff set Ff's Ff/Qq Folio footnote Gonzalo grammatical hath hee's heere I'le i'th ISBN King Kristin Linklater line numbering line structure Lord magic major punctuation Marowitz Measure for Measure Midsummer Nights Dream Miranda Miranda Prospero modern texts indicate modern texts set modern texts suggest Monster Musicke Naples Neil Freeman o'th occasionally onstage pause play Playhouse copy printed prose Prospero Ariel Quarto Ralph Crane reader rhetoric scene script Sebastian Anthonio selfe sentence set a period short lines song sonne speech Spirit stage directions Stephano Trinculo strange Sycorax syllables Tempest texts will set Theatre theatrical thee Third Folio thou thought Tina Packer William Shakespeare word