The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... Ariel's exit before Prospero reawakens Miranda , p . 15 of this script . Others , while on a separate line , are caught halfway between centred and flush to the right - hand side of the column . This happens with the description of ...
... Ariel's exit before Prospero reawakens Miranda , p . 15 of this script . Others , while on a separate line , are caught halfway between centred and flush to the right - hand side of the column . This happens with the description of ...
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... Prospero , Ariel , and Caliban . This can be eas- ily illustrated as Prospero first brings onstage the spirit Ariel ; the line rhythmically breaks down as I am READY NOW , apPROACH my Ariel a magic line of eleven syllables , even though ...
... Prospero , Ariel , and Caliban . This can be eas- ily illustrated as Prospero first brings onstage the spirit Ariel ; the line rhythmically breaks down as I am READY NOW , apPROACH my Ariel a magic line of eleven syllables , even though ...
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... Ariel is actually doing to Prospero , apart from dressing him . Or the magic in the song can enhance the situa- tion , as with Ariel's first onstage enticement of Ferdinand : COME unTO these YELLOW SANDS ( 1.2.450 , this script , p . 18 ) ...
... Ariel is actually doing to Prospero , apart from dressing him . Or the magic in the song can enhance the situa- tion , as with Ariel's first onstage enticement of Ferdinand : COME unTO these YELLOW SANDS ( 1.2.450 , this script , p . 18 ) ...
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... Prospero , Ariel , and Caliban to see where such treasures may lie , for their characters move into sharper , more dramatic , and sometimes more dangerous focus when the magic occurs . STANDARD MODERN TEXT TIDYING OF THE FIRST FOLIO ...
... Prospero , Ariel , and Caliban to see where such treasures may lie , for their characters move into sharper , more dramatic , and sometimes more dangerous focus when the magic occurs . STANDARD MODERN TEXT TIDYING OF THE FIRST FOLIO ...
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... Prospero realises it is time for the showdown with Caliban ( p . 65 , II ... Prospero reaches his epiphany , in the ' spell and farewell ' speech of ... Ariel's enchanted music . As he begins to speak , his sentence structure is ...
... Prospero realises it is time for the showdown with Caliban ( p . 65 , II ... Prospero reaches his epiphany , in the ' spell and farewell ' speech of ... Ariel's enchanted music . As he begins to speak , his sentence structure is ...
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Häufige Begriffe und Wortgruppen
Adrian altered Anthonio Anthonio Sebastian APPLAUSE Ariel Prospero beleeve Boteswaine brother Caliban cam'st Ceres character Cicely Berry comma commas marked compositor do's do'st Duke of Millaine Elizabethan ENTER ARIELL Exeunt Exit F2/most modern texts F3/most Father Ferdinand Ff set Ff's Ff/Qq Folio footnote Gonzalo grammatical hath hee's heere I'le i'th ISBN King Kristin Linklater line numbering line structure Lord magic major punctuation Marowitz Measure for Measure Midsummer Nights Dream Miranda Miranda Prospero modern texts indicate modern texts set modern texts suggest Monster Musicke Naples Neil Freeman o'th occasionally onstage pause play Playhouse copy printed prose Prospero Ariel Quarto Ralph Crane reader rhetoric scene script Sebastian Anthonio selfe sentence set a period short lines song sonne speech Spirit stage directions Stephano Trinculo strange Sycorax syllables Tempest texts will set Theatre theatrical thee Third Folio thou thought Tina Packer William Shakespeare word