The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... QUARTO TEXTS ................ ..xxix FOOTNOTE CODE .......... ALPHABETICAL FOOTNOTE CODING ...... FOOTNOTE CODING BY TOPIC ........ xxxiii ...... xxxiii ...... xxxiv ONE MODERN CHANGE FREQUENTLY NOTED IN THESE TEXTS .. ..XXXV ...
... QUARTO TEXTS ................ ..xxix FOOTNOTE CODE .......... ALPHABETICAL FOOTNOTE CODING ...... FOOTNOTE CODING BY TOPIC ........ xxxiii ...... xxxiii ...... xxxiv ONE MODERN CHANGE FREQUENTLY NOTED IN THESE TEXTS .. ..XXXV ...
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... Quartos , and their uneasy relationship with modern texts ) A QUARTO ( Q ) A single text , so called because of the book size resulting from a particular method of printing . Eighteen of Shakespeare's plays were published in this format ...
... Quartos , and their uneasy relationship with modern texts ) A QUARTO ( Q ) A single text , so called because of the book size resulting from a particular method of printing . Eighteen of Shakespeare's plays were published in this format ...
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... Quarto version of the play ) or if no modification was made by any of the later Folios ( The Second Folio of 1632 , The Third Folio of 1664 , or The Fourth Folio of 1685 , termed F2 , F3 , and F4 respectively ) then the F1 printing will ...
... Quarto version of the play ) or if no modification was made by any of the later Folios ( The Second Folio of 1632 , The Third Folio of 1664 , or The Fourth Folio of 1685 , termed F2 , F3 , and F4 respectively ) then the F1 printing will ...
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... this text , while the last line of dialogue on page one of this text is to be found in line twenty - one of the Riverside version of the play . COMMON TYPESETTING PECULIARITIES OF THE FOLIO AND QUARTO TEXTS ( xxviii General Introduction.
... this text , while the last line of dialogue on page one of this text is to be found in line twenty - one of the Riverside version of the play . COMMON TYPESETTING PECULIARITIES OF THE FOLIO AND QUARTO TEXTS ( xxviii General Introduction.
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William Shakespeare Neil Freeman. COMMON TYPESETTING PECULIARITIES OF THE FOLIO AND QUARTO TEXTS ( And How These Texts Present Them ) There are a few ( to modern eyes ) unusual contemporary Elizabethan and early Jacobean printing ...
William Shakespeare Neil Freeman. COMMON TYPESETTING PECULIARITIES OF THE FOLIO AND QUARTO TEXTS ( And How These Texts Present Them ) There are a few ( to modern eyes ) unusual contemporary Elizabethan and early Jacobean printing ...
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