The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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William Shakespeare Neil Freeman. CONTENTS GENERAL INTRODUCTION DEFINITIONS OF AND GUIDE TO PHOTOGRAPHIC COPIES OF THE EARLY TEXTS ... WELCOME TO THESE SCRIPTS .......... MAKING FULL USE OF THESE TEXT ......... WHAT MODERN CHANGES WILL ...
William Shakespeare Neil Freeman. CONTENTS GENERAL INTRODUCTION DEFINITIONS OF AND GUIDE TO PHOTOGRAPHIC COPIES OF THE EARLY TEXTS ... WELCOME TO THESE SCRIPTS .......... MAKING FULL USE OF THESE TEXT ......... WHAT MODERN CHANGES WILL ...
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William Shakespeare Neil Freeman. ACKNOWLEDGEMENTS My grateful thanks to all who have helped in the growth and development of this work . Special thanks to Norman Welsh who first introduced me to the Folio Text , and to Tina Packer who ...
William Shakespeare Neil Freeman. ACKNOWLEDGEMENTS My grateful thanks to all who have helped in the growth and development of this work . Special thanks to Norman Welsh who first introduced me to the Folio Text , and to Tina Packer who ...
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William Shakespeare Neil Freeman. WELCOME TO THESE SCRIPTS These scripts are designed to do three things : 1. show the reader what the First Folio ( often referred to as F1 ) set down on paper , rather than what modern editions think ...
William Shakespeare Neil Freeman. WELCOME TO THESE SCRIPTS These scripts are designed to do three things : 1. show the reader what the First Folio ( often referred to as F1 ) set down on paper , rather than what modern editions think ...
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William Shakespeare Neil Freeman. The only time F1's punctuation will be altered is when the original setting is so blurred that an accurate deciphering of what F1 set cannot be determined . In such cases , alternative punctuation from ...
William Shakespeare Neil Freeman. The only time F1's punctuation will be altered is when the original setting is so blurred that an accurate deciphering of what F1 set cannot be determined . In such cases , alternative punctuation from ...
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... Shakespeare , mainly dealing with entries and key actions such as battles , are those that F1 sets centred on a ... ( Shakespearean ? ) directions tend to stop or change the action of the play , that is , the scene is affected by the ...
... Shakespeare , mainly dealing with entries and key actions such as battles , are those that F1 sets centred on a ... ( Shakespearean ? ) directions tend to stop or change the action of the play , that is , the scene is affected by the ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse