The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... spirit and character as the words are- though most modern texts create a much more direct essayist , preaching what she already knows , by removing the two Ff commas marked * . " A similar situation exists with Macbeth , facing Duncan ...
... spirit and character as the words are- though most modern texts create a much more direct essayist , preaching what she already knows , by removing the two Ff commas marked * . " A similar situation exists with Macbeth , facing Duncan ...
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... spirit sun - sonne travel - travaill through - thorough reverent - reverend troth - truth whether - whither Some of these doubles offer a metrical problem too ; for example ' sprite ' , a one syllable word , versus ' spirit ' . A ...
... spirit sun - sonne travel - travaill through - thorough reverent - reverend troth - truth whether - whither Some of these doubles offer a metrical problem too ; for example ' sprite ' , a one syllable word , versus ' spirit ' . A ...
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... spirit Ariel ; the line rhythmically breaks down as I am READY NOW , apPROACH my Ariel a magic line of eleven syllables , even though the passage in which it appears splits over two lines Come away , Servant , come ; I am ready now ...
... spirit Ariel ; the line rhythmically breaks down as I am READY NOW , apPROACH my Ariel a magic line of eleven syllables , even though the passage in which it appears splits over two lines Come away , Servant , come ; I am ready now ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse