The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... altered the First Folio informa- tion . And , unlike any other script , opposite each page of text will be a blank page where readers can make their own notes and commentary . However , there will be the rare occasion when these texts ...
... altered the First Folio informa- tion . And , unlike any other script , opposite each page of text will be a blank page where readers can make their own notes and commentary . However , there will be the rare occasion when these texts ...
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William Shakespeare Neil Freeman. The only time F1's punctuation will be altered is when the original setting is so blurred that an accurate deciphering of what F1 set cannot be determined . In such cases , alternative punctuation from ...
William Shakespeare Neil Freeman. The only time F1's punctuation will be altered is when the original setting is so blurred that an accurate deciphering of what F1 set cannot be determined . In such cases , alternative punctuation from ...
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... altered by most mod- ern texts . Most of these changes concentrate on regularising moments where a char- acter is under tremendous upheaval and hardly likely to be speaking pure formal verse at that particular moment ! 2 These changes ...
... altered by most mod- ern texts . Most of these changes concentrate on regularising moments where a char- acter is under tremendous upheaval and hardly likely to be speaking pure formal verse at that particular moment ! 2 These changes ...
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... altered by modern texts , especially when the Ff sentences do not seem ' grammatical ' — thus Orlando's twenty - line monster is split into six separate , grammatically correct sentences by all modern texts . And then there is the case ...
... altered by modern texts , especially when the Ff sentences do not seem ' grammatical ' — thus Orlando's twenty - line monster is split into six separate , grammatically correct sentences by all modern texts . And then there is the case ...
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... altered stage direction ; the letters ' LS ' show the footnote deals with a passage where the modern texts have completely altered the line - structure that F1 set . This enables readers to be selective when they want to examine only ...
... altered stage direction ; the letters ' LS ' show the footnote deals with a passage where the modern texts have completely altered the line - structure that F1 set . This enables readers to be selective when they want to examine only ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse