The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... brother's life . In Lucio's eyes she is giving up too easily , hence the following ( modern 11. 45-49 ) : Lucio Isabella Angelo You are too cold : if you should need a pin , You could not with more tame a tongue desire it : To him , I ...
... brother's life . In Lucio's eyes she is giving up too easily , hence the following ( modern 11. 45-49 ) : Lucio Isabella Angelo You are too cold : if you should need a pin , You could not with more tame a tongue desire it : To him , I ...
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... brother starts with a single sentence twenty lines long . This is especially relevant when a surprising modern editorial practice is ac- counted for . Very often the Ff sentence structures are markedly altered by modern texts ...
... brother starts with a single sentence twenty lines long . This is especially relevant when a surprising modern editorial practice is ac- counted for . Very often the Ff sentence structures are markedly altered by modern texts ...
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... brother , pp . 31–35 in this text , II . 2.1.209–336 . If all nineteen of the modern split line assessments are fol- lowed , as well as the occasional modern metric restructurings of F1's apparent ir- regularities , then the scene will ...
... brother , pp . 31–35 in this text , II . 2.1.209–336 . If all nineteen of the modern split line assessments are fol- lowed , as well as the occasional modern metric restructurings of F1's apparent ir- regularities , then the scene will ...
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... brother Anthonio . And there is one grammatically horrible section modern texts cannot tolerate . Ferdinand arrives on the island believing he has lost his father , uncle , and friends in the shipwreck . Essentially , he is led in by ...
... brother Anthonio . And there is one grammatically horrible section modern texts cannot tolerate . Ferdinand arrives on the island believing he has lost his father , uncle , and friends in the shipwreck . Essentially , he is led in by ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse