The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... column . In such rare cases these texts will complete the line as a single line , and mark it with a * to show the change from F1 . In all other cases , even when in prose F1 is forced to split the final word of a speech in half , and ...
... column . In such rare cases these texts will complete the line as a single line , and mark it with a * to show the change from F1 . In all other cases , even when in prose F1 is forced to split the final word of a speech in half , and ...
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... column . In perfor- mance terms there seems to be a useful distinction between the two , though this is only a rule of thumb . The centred manuscript ( Shakespearean ? ) directions tend to stop or change the action of the play , that is ...
... column . In perfor- mance terms there seems to be a useful distinction between the two , though this is only a rule of thumb . The centred manuscript ( Shakespearean ? ) directions tend to stop or change the action of the play , that is ...
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... column of p . 261 in the Tragedy section , resets the speech as eleven lines of very irregular verse ! In the case of crammed space , five lines of verse might suddenly become three lines of prose , or in one very severe case of ...
... column of p . 261 in the Tragedy section , resets the speech as eleven lines of very irregular verse ! In the case of crammed space , five lines of verse might suddenly become three lines of prose , or in one very severe case of ...
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... column . These texts will set the original as one complete line - the only instance where these scripts do not faithfully reproduce F1's line structure . THE OCCASIONAL USE OF THE TOGETHER WITH A FOOTNOTE ( ALSO SEE P. XXXVII ) This ...
... column . These texts will set the original as one complete line - the only instance where these scripts do not faithfully reproduce F1's line structure . THE OCCASIONAL USE OF THE TOGETHER WITH A FOOTNOTE ( ALSO SEE P. XXXVII ) This ...
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... column . ) They usually support , rather than alter , the onstage action ( see p . ix ) . ( The visual difference in the two sets of directions can quickly point the reader to an unexpected aspect of an entry or exit . Occasionally an ...
... column . ) They usually support , rather than alter , the onstage action ( see p . ix ) . ( The visual difference in the two sets of directions can quickly point the reader to an unexpected aspect of an entry or exit . Occasionally an ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse