The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... follows , the words ( including spellings and capitalisations ) , the punctuation ( no matter how ungrammatical ) ... follow the First Folio . Sometimes F1's words or phrases are meaningless ; for example , the lovely misprinting of ...
... follows , the words ( including spellings and capitalisations ) , the punctuation ( no matter how ungrammatical ) ... follow the First Folio . Sometimes F1's words or phrases are meaningless ; for example , the lovely misprinting of ...
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... follows and is therefore set above or below the original line at the right hand side of the column . In such rare cases these texts will complete the line as a single line , and mark it with a * to show the change from F1 . In all other ...
... follows and is therefore set above or below the original line at the right hand side of the column . In such rare cases these texts will complete the line as a single line , and mark it with a * to show the change from F1 . In all other ...
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... follow suit . However , F1 , faced with a poten- tially huge white space problem at the bottom of the right hand column of p . 261 in the Tragedy section , resets the speech as eleven lines of very irregular verse ! In the case of ...
... follow suit . However , F1 , faced with a poten- tially huge white space problem at the bottom of the right hand column of p . 261 in the Tragedy section , resets the speech as eleven lines of very irregular verse ! In the case of ...
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... follow each other . If there are three short lines in succession , which should be joined , # 1 and # 2 , or # 2 and ... follows almost straightaway ? Isabella But you might doe't & do the world no wrong If so your heart were touch'd ...
... follow each other . If there are three short lines in succession , which should be joined , # 1 and # 2 , or # 2 and ... follows almost straightaway ? Isabella But you might doe't & do the world no wrong If so your heart were touch'd ...
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... follow each other , a choice has to be made . Thus the second Isabella / Angelo / Lucio sequence could be set as either Isabella But you might doe't & do the world no wrong If so your heart were touch'd with that remorse , As mine is to ...
... follow each other , a choice has to be made . Thus the second Isabella / Angelo / Lucio sequence could be set as either Isabella But you might doe't & do the world no wrong If so your heart were touch'd with that remorse , As mine is to ...
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