The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 1
... FOOTNOTE CODING ...... FOOTNOTE CODING BY TOPIC ........ xxxiii ...... xxxiii ...... xxxiv ONE MODERN CHANGE FREQUENTLY NOTED IN THESE TEXTS .. ..XXXV ...... xxxvii A BRIEF WORD ABOUT THE COMPOSITORS . THE PLAY INTRODUCTION TO THE ...
... FOOTNOTE CODING ...... FOOTNOTE CODING BY TOPIC ........ xxxiii ...... xxxiii ...... xxxiv ONE MODERN CHANGE FREQUENTLY NOTED IN THESE TEXTS .. ..XXXV ...... xxxvii A BRIEF WORD ABOUT THE COMPOSITORS . THE PLAY INTRODUCTION TO THE ...
Seite 3
... footnote will explain why . The only time F1's line structure will not be followed is when at the end of a very long line , the final word or part of the word cannot fit onto the single line , nor be set as a new line in F1 because of ...
... footnote will explain why . The only time F1's line structure will not be followed is when at the end of a very long line , the final word or part of the word cannot fit onto the single line , nor be set as a new line in F1 because of ...
Seite 4
... footnote the modern corrections whenever they occur . More problematical are the possibilities of choice , especially when a Q and F ver- sion of the same play show a different reading for the same line and either choice is valid - even ...
... footnote the modern corrections whenever they occur . More problematical are the possibilities of choice , especially when a Q and F ver- sion of the same play show a different reading for the same line and either choice is valid - even ...
Seite 5
... to explore The Tempest within this series , especially the footnotes , as a the- atrical vindication of the original F1 setting but rhetoric . One of rhetoric's many strengths is that xi Making Full Use of these Texts IV.
... to explore The Tempest within this series , especially the footnotes , as a the- atrical vindication of the original F1 setting but rhetoric . One of rhetoric's many strengths is that xi Making Full Use of these Texts IV.
Seite 7
... footnote when a choice is possible ( in the case of three short lines , or more , in succession ) and by the symbol } when the possibility of springboarding exists . Thus the Folio Texts would show the first Angelo / Provost example as ...
... footnote when a choice is possible ( in the case of three short lines , or more , in succession ) and by the symbol } when the possibility of springboarding exists . Thus the Folio Texts would show the first Angelo / Provost example as ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse