The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... Hath not a Jew eyes ? ' is very instructive . All modern texts set the speech as between fifteen and seventeen sentences in length : whatever the pain , anger , and personal passion , the modern texts encourage dignity and self ...
... Hath not a Jew eyes ? ' is very instructive . All modern texts set the speech as between fifteen and seventeen sentences in length : whatever the pain , anger , and personal passion , the modern texts encourage dignity and self ...
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... hath stolne a Pax , and hanged must a be : ° a damned death : let Gallowes gape for Dogge , let Man goe free , ° and let not Hempe his Wind - pipe suffocate : but Exeter hath given the doome of death , ° for Pax of little price ...
... hath stolne a Pax , and hanged must a be : ° a damned death : let Gallowes gape for Dogge , let Man goe free , ° and let not Hempe his Wind - pipe suffocate : but Exeter hath given the doome of death , ° for Pax of little price ...
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... waters , Allaying both their fury , and my passion With it's sweet ayre : thence I have follow'd it ( Or it hath drawne me rather ) but ' tis gone . and the asterisks show some very untidy and irrational F1 xlvii Introduction to THE ...
... waters , Allaying both their fury , and my passion With it's sweet ayre : thence I have follow'd it ( Or it hath drawne me rather ) but ' tis gone . and the asterisks show some very untidy and irrational F1 xlvii Introduction to THE ...
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Adrian altered Anthonio Anthonio Sebastian APPLAUSE Ariel Prospero beleeve Boteswaine brother Caliban cam'st Ceres character Cicely Berry comma commas marked compositor do's do'st Duke of Millaine Elizabethan ENTER ARIELL Exeunt Exit F2/most modern texts F3/most Father Ferdinand Ff set Ff's Ff/Qq Folio footnote Gonzalo grammatical hath hee's heere I'le i'th ISBN King Kristin Linklater line numbering line structure Lord magic major punctuation Marowitz Measure for Measure Midsummer Nights Dream Miranda Miranda Prospero modern texts indicate modern texts set modern texts suggest Monster Musicke Naples Neil Freeman o'th occasionally onstage pause play Playhouse copy printed prose Prospero Ariel Quarto Ralph Crane reader rhetoric scene script Sebastian Anthonio selfe sentence set a period short lines song sonne speech Spirit stage directions Stephano Trinculo strange Sycorax syllables Tempest texts will set Theatre theatrical thee Third Folio thou thought Tina Packer William Shakespeare word