The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... Hath not a Jew eyes ? ' is very instructive . All modern texts set the speech as between fifteen and seventeen sentences in length : whatever the pain , anger , and personal passion , the modern texts encourage dignity and self ...
... Hath not a Jew eyes ? ' is very instructive . All modern texts set the speech as between fifteen and seventeen sentences in length : whatever the pain , anger , and personal passion , the modern texts encourage dignity and self ...
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... hath stolne a Pax , and hanged must a be : ° a damned death : let Gallowes gape for Dogge , let Man goe free , ° and let not Hempe his Wind - pipe suffocate : but Exeter hath given the doome of death , ° for Pax of little price ...
... hath stolne a Pax , and hanged must a be : ° a damned death : let Gallowes gape for Dogge , let Man goe free , ° and let not Hempe his Wind - pipe suffocate : but Exeter hath given the doome of death , ° for Pax of little price ...
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... waters , Allaying both their fury , and my passion With it's sweet ayre : thence I have follow'd it ( Or it hath drawne me rather ) but ' tis gone . and the asterisks show some very untidy and irrational F1 xlvii Introduction to THE ...
... waters , Allaying both their fury , and my passion With it's sweet ayre : thence I have follow'd it ( Or it hath drawne me rather ) but ' tis gone . and the asterisks show some very untidy and irrational F1 xlvii Introduction to THE ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse