The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... indicate via footnote when a choice is possible ( in the case of three short lines , or more , in succession ) and by the symbol } when the possibility of springboarding exists . Thus the Folio Texts would show the first Angelo ...
... indicate via footnote when a choice is possible ( in the case of three short lines , or more , in succession ) and by the symbol } when the possibility of springboarding exists . Thus the Folio Texts would show the first Angelo ...
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... indicates the need to key onto the new thought without necessarily requiring a pause . In so doing , the in- herent rhythms of speech , scene , and play can clip along at the rate suggested by the Prologue in Romeo and Juliet , ' the ...
... indicates the need to key onto the new thought without necessarily requiring a pause . In so doing , the in- herent rhythms of speech , scene , and play can clip along at the rate suggested by the Prologue in Romeo and Juliet , ' the ...
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... indicates that though Ff has set two short lines for a single character , per- haps hinting at a minute break between the two thoughts , most modern texts have set the two short lines as one longer one . Thus the first two lines of ...
... indicates that though Ff has set two short lines for a single character , per- haps hinting at a minute break between the two thoughts , most modern texts have set the two short lines as one longer one . Thus the first two lines of ...
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... indicates where one sentence ends , and a new one begins ( see pp . xvii - xviii ) . THE BOLDING OF PUNCTUATION This indicates the presence of the XXV Practical On - Page Help for the Reader XI.
... indicates where one sentence ends , and a new one begins ( see pp . xvii - xviii ) . THE BOLDING OF PUNCTUATION This indicates the presence of the XXV Practical On - Page Help for the Reader XI.
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William Shakespeare Neil Freeman. THE BOLDING OF PUNCTUATION This indicates the presence of the major punctuation ... indicate modern act and scene division , which often differs from Ff / Qq . Modern texts suggest that in many plays ...
William Shakespeare Neil Freeman. THE BOLDING OF PUNCTUATION This indicates the presence of the major punctuation ... indicate modern act and scene division , which often differs from Ff / Qq . Modern texts suggest that in many plays ...
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