The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 6
... need a pin , You could not with more tame a tongue desire it : To him , I say . Must he needs die ? Maiden , no remedie ? And here it seems fairly obvious Isabella and Angelo's lines should join together , thus allowing a wonderful ...
... need a pin , You could not with more tame a tongue desire it : To him , I say . Must he needs die ? Maiden , no remedie ? And here it seems fairly obvious Isabella and Angelo's lines should join together , thus allowing a wonderful ...
Seite 9
... need for light ( or infrequent ) punctuation to preserve the speed of speech . This is not necessarily helpful , since what it removes is just a new thought marker , not an automatic indication to pause : too often the result is that ...
... need for light ( or infrequent ) punctuation to preserve the speed of speech . This is not necessarily helpful , since what it removes is just a new thought marker , not an automatic indication to pause : too often the result is that ...
Seite 10
... need not pause at the comma , bracket , or dash ; you probably should at the colon , semicolon , and period . Why the ... needs to be broken down into its larger thinking / speaking ( and even breath- ing ) units without affecting its ...
... need not pause at the comma , bracket , or dash ; you probably should at the colon , semicolon , and period . Why the ... needs to be broken down into its larger thinking / speaking ( and even breath- ing ) units without affecting its ...
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... surrounding action is creating a momentary ( al- most need to breath ) hesitation , sometimes suggesting a struggle to main- tain self - control These texts will note all such alterations , usually offering XXXV Footnote Code XVII.
... surrounding action is creating a momentary ( al- most need to breath ) hesitation , sometimes suggesting a struggle to main- tain self - control These texts will note all such alterations , usually offering XXXV Footnote Code XVII.
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... need be said here . Of the two problems facing the reader in this play , the more familiar is the decision as to which two of three lines could go together to form a single line . Thus , just for illustration , in the following ex ...
... need be said here . Of the two problems facing the reader in this play , the more familiar is the decision as to which two of three lines could go together to form a single line . Thus , just for illustration , in the following ex ...
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