The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... passage without having to turn to an Appendix or a different text all this , hopefully without interfering with the action of the play . What the First Folio sets on paper will be the basis for what you see . In the body of the play ...
... passage without having to turn to an Appendix or a different text all this , hopefully without interfering with the action of the play . What the First Folio sets on paper will be the basis for what you see . In the body of the play ...
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... passage , the splutters of a person going through an emotional breakdown , as with Othello , can be shown almost verbatim , with peculiar punctuations , spellings , breaks , and all . If the same passage were to be set grammatically it ...
... passage , the splutters of a person going through an emotional breakdown , as with Othello , can be shown almost verbatim , with peculiar punctuations , spellings , breaks , and all . If the same passage were to be set grammatically it ...
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... passage where the modern texts have made whole - scale alter- ations to the Ff text . Each boxed section will be footnoted , and the changes analysed at the bottom of the page . THE FOOTNOTES With many modern texts the footnotes are not ...
... passage where the modern texts have made whole - scale alter- ations to the Ff text . Each boxed section will be footnoted , and the changes analysed at the bottom of the page . THE FOOTNOTES With many modern texts the footnotes are not ...
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... of the text . THE VERTICAL LINE TO THE LEFT OF THE TEXT This will be used to mark a passage where modern editors have altered F1's verse to prose or vice versa . Here is a xxiii Practical On - Page Help for the Reader.
... of the text . THE VERTICAL LINE TO THE LEFT OF THE TEXT This will be used to mark a passage where modern editors have altered F1's verse to prose or vice versa . Here is a xxiii Practical On - Page Help for the Reader.
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William Shakespeare Neil Freeman. verse to prose or vice versa . Here is a passage in a predominantly prose scene from Henry V. Modern texts and F1 agree that Williams and Fluellen should be set in prose . However , the F1 setting for ...
William Shakespeare Neil Freeman. verse to prose or vice versa . Here is a passage in a predominantly prose scene from Henry V. Modern texts and F1 agree that Williams and Fluellen should be set in prose . However , the F1 setting for ...
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