The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 6
... pause following Lucio's urging before Isabella plucks up enough courage to try . Most modern texts set the lines accordingly , with Lucio's the short odd line out . But what about the three lines contained in the exchange that follows ...
... pause following Lucio's urging before Isabella plucks up enough courage to try . Most modern texts set the lines accordingly , with Lucio's the short odd line out . But what about the three lines contained in the exchange that follows ...
Seite 6
... pause ( to frame a reply ? ) before speaking , leaving Lucio to quickly jump in quietly giving Isabella no time to back off ? Either choice is possible , and dramatically valid . And readers should be allowed to make their own choice ...
... pause ( to frame a reply ? ) before speaking , leaving Lucio to quickly jump in quietly giving Isabella no time to back off ? Either choice is possible , and dramatically valid . And readers should be allowed to make their own choice ...
Seite 7
... pauses and hesitations could exist between each line , or the lines could in fact be spoken one on top of another , a ... pause between them as Juliet hesitates before asking the all important second line ( with its key second part 5 ...
... pauses and hesitations could exist between each line , or the lines could in fact be spoken one on top of another , a ... pause between them as Juliet hesitates before asking the all important second line ( with its key second part 5 ...
Seite 9
... pause : too often the result is that what the first texts offer a character as a series of closely- worked out dancing thought - patterns ( building one quick thought - as marked by a comma- on top of another ) is turned into a series ...
... pause : too often the result is that what the first texts offer a character as a series of closely- worked out dancing thought - patterns ( building one quick thought - as marked by a comma- on top of another ) is turned into a series ...
Seite 9
... pause at each comma would be tan- tamount to disaster . There would be an enormous dampening effect if reader / actor were to pause at every single piece of punctuation : the poetry would be destroyed and the event would become ...
... pause at each comma would be tan- tamount to disaster . There would be an enormous dampening effect if reader / actor were to pause at every single piece of punctuation : the poetry would be destroyed and the event would become ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse