The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 7
... present ' has changed , and the character must readjust accordingly . Just as onstage , the actor should be prepared for the character to re - adjust , and in rehearsal should be examining how and why it does , so should the reader in ...
... present ' has changed , and the character must readjust accordingly . Just as onstage , the actor should be prepared for the character to re - adjust , and in rehearsal should be examining how and why it does , so should the reader in ...
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... present . To help the reader quickly spot the new steppingstone in an argument , and thus the point of transition , these texts highlight where one sentence ends and the new one begins by simply dropping a line whenever a new sentence ...
... present . To help the reader quickly spot the new steppingstone in an argument , and thus the point of transition , these texts highlight where one sentence ends and the new one begins by simply dropping a line whenever a new sentence ...
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... Present Them ) There are a few ( to modern eyes ) unusual contemporary Elizabethan and early Jacobean printing practices which will be retained in these scripts . THE ABBREVIATIONS , ' S. ' , ' L. ' , ' D. ' , ' M. ' Ff and Qq use ...
... Present Them ) There are a few ( to modern eyes ) unusual contemporary Elizabethan and early Jacobean printing practices which will be retained in these scripts . THE ABBREVIATIONS , ' S. ' , ' L. ' , ' D. ' , ' M. ' Ff and Qq use ...
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... speeches , even though there may be only one character onstage , it's as if there were two distinct entities present . These texts will show F1 as set . FOOTNOTE CODE ( shown in two forms , the first xxxii General Introduction.
... speeches , even though there may be only one character onstage , it's as if there were two distinct entities present . These texts will show F1 as set . FOOTNOTE CODE ( shown in two forms , the first xxxii General Introduction.
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... present shown in prose in most modern texts and as a mixture of prose with occa- sional verse in this script , could be set completely in verse . ' 3 Readers are invited to explore two key sections . The first involves Stephano ...
... present shown in prose in most modern texts and as a mixture of prose with occa- sional verse in this script , could be set completely in verse . ' 3 Readers are invited to explore two key sections . The first involves Stephano ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse