The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 1
... problems of ' casting - off ' Lines structure changes not related to problems of ' casting - off ' The special problems affecting what are known as ' shared ' or ' split ' verse lines ............. .......... V ..vii .......... X ..X ...
... problems of ' casting - off ' Lines structure changes not related to problems of ' casting - off ' The special problems affecting what are known as ' shared ' or ' split ' verse lines ............. .......... V ..vii .......... X ..X ...
Seite 2
... problem- atical readings of its own . Nevertheless , more than eight hundred modern text read- ings can be attributed to it . The most recent reproduction is D. S. Brewer , ed . , Mr. William Shakespeare's Comedies , Histories ...
... problem- atical readings of its own . Nevertheless , more than eight hundred modern text read- ings can be attributed to it . The most recent reproduction is D. S. Brewer , ed . , Mr. William Shakespeare's Comedies , Histories ...
Seite 4
... PROBLEMS OF ' CASTING - OFF ' The First Folio was usually prepared in blocks of twelve pages at a time . Six pairs ... problem , and most commentators suggest when it arose the printing house policy was to sacrifice textual accuracy to ...
... PROBLEMS OF ' CASTING - OFF ' The First Folio was usually prepared in blocks of twelve pages at a time . Six pairs ... problem , and most commentators suggest when it arose the printing house policy was to sacrifice textual accuracy to ...
Seite 5
... problem at the bottom of the right hand column of p . 261 in the Tragedy section , resets the speech as eleven lines ... PROBLEMS OF ' CASTING - OFF ' In addition , modern texts regularly make changes to F1's line structure which are not ...
... problem at the bottom of the right hand column of p . 261 in the Tragedy section , resets the speech as eleven lines ... PROBLEMS OF ' CASTING - OFF ' In addition , modern texts regularly make changes to F1's line structure which are not ...
Seite 5
... PROBLEMS AFFECTING WHAT ARE KNOWN AS ' SHARED ' OR ' SPLIT ' VERSE LINES A definition , and their importance to the Shakespeare texts Essentially , split lines are short lines of verse which , when placed together , form the equivalent ...
... PROBLEMS AFFECTING WHAT ARE KNOWN AS ' SHARED ' OR ' SPLIT ' VERSE LINES A definition , and their importance to the Shakespeare texts Essentially , split lines are short lines of verse which , when placed together , form the equivalent ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse