The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 3
... prose ) , the stage directions , the act and scene divisions , and ( for the most part ) the prefixes used for each character will be as set in the First Folio . In addition , new , on page , visual symbols specially devised for these ...
... prose ) , the stage directions , the act and scene divisions , and ( for the most part ) the prefixes used for each character will be as set in the First Folio . In addition , new , on page , visual symbols specially devised for these ...
Seite 3
... prose F1 is forced to split the final word of a speech in half , and set only a few letters of it on a new line - for example in Henry the Fifth , Pistoll's name is split as ' Pi ' on one line and ' stoll ' ( as the last part of the ...
... prose F1 is forced to split the final word of a speech in half , and set only a few letters of it on a new line - for example in Henry the Fifth , Pistoll's name is split as ' Pi ' on one line and ' stoll ' ( as the last part of the ...
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... prose , and most modern texts follow suit . However , F1 , faced with a poten- tially huge white space problem at the bottom of the right hand column of p . 261 in the Tragedy section , resets the speech as eleven lines of very ...
... prose , and most modern texts follow suit . However , F1 , faced with a poten- tially huge white space problem at the bottom of the right hand column of p . 261 in the Tragedy section , resets the speech as eleven lines of very ...
Seite 5
... ( prose to verse , verse to prose , regularisation of originally unmetrical lines ) will be shown . The small symbol will be added to show where modern texts suggest a line should end rather than where F1 shows it does . A thin vertical ...
... ( prose to verse , verse to prose , regularisation of originally unmetrical lines ) will be shown . The small symbol will be added to show where modern texts suggest a line should end rather than where F1 shows it does . A thin vertical ...
Seite 10
... prose or vice versa ( the code ' VP ' ) . For full details of the codes , see pp . xxxiii - xxxv below . Readers are urged to make full use of the footnotes in any of the Recommended Texts listed just before the start of the play . They ...
... prose or vice versa ( the code ' VP ' ) . For full details of the codes , see pp . xxxiii - xxxv below . Readers are urged to make full use of the footnotes in any of the Recommended Texts listed just before the start of the play . They ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse