The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 1
... READER . ....... xxii THE VISUAL SYMBOLS HIGHLIGHTING MODERN ALTERATIONS ....... xxii THE VISUAL SYMBOLS HIGHLIGHTING KEY ITEMS WITHIN THE FIRST FOLIO ACT , SCENE , AND LINE NUMBERING SPECIFIC TO THIS TEXT ..... xxvi COMMON TYPESETTING ...
... READER . ....... xxii THE VISUAL SYMBOLS HIGHLIGHTING MODERN ALTERATIONS ....... xxii THE VISUAL SYMBOLS HIGHLIGHTING KEY ITEMS WITHIN THE FIRST FOLIO ACT , SCENE , AND LINE NUMBERING SPECIFIC TO THIS TEXT ..... xxvi COMMON TYPESETTING ...
Seite 2
... readers at the ex- pense of faithful reproduction of F1 renders it the least useful for those interested in the setting down on paper of Elizabethan theatre texts . The most recent reproduc- tion is D. S. Brewer , ed . , Mr. William ...
... readers at the ex- pense of faithful reproduction of F1 renders it the least useful for those interested in the setting down on paper of Elizabethan theatre texts . The most recent reproduc- tion is D. S. Brewer , ed . , Mr. William ...
Seite 3
... reader and theatre practitioner an easy journey through some of the information the original readers might have garnered from F1 and other contemporary scripts which is still relevant today 3. provide a simple way for readers to see not ...
... reader and theatre practitioner an easy journey through some of the information the original readers might have garnered from F1 and other contemporary scripts which is still relevant today 3. provide a simple way for readers to see not ...
Seite 3
... reader which character is now speaking ) , for Ff ( all the Folios ) and Qq ( all the Quartos ) are not always consistent . Sometimes slightly different abbreviations are used for the same character - in The Tempest , King Alonso is ...
... reader which character is now speaking ) , for Ff ( all the Folios ) and Qq ( all the Quartos ) are not always consistent . Sometimes slightly different abbreviations are used for the same character - in The Tempest , King Alonso is ...
Seite 4
... reader to whom it refers . Also , some alterations will be made to F1's stage directions , not to the words themselves or when they occur , but to the way they are going to be presented visu- ally . Scholars agree F1 contains two ...
... reader to whom it refers . Also , some alterations will be made to F1's stage directions , not to the words themselves or when they occur , but to the way they are going to be presented visu- ally . Scholars agree F1 contains two ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse