The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 1
... SCENE , AND LINE NUMBERING SPECIFIC TO THIS TEXT ..... xxvi COMMON TYPESETTING PECULIARITIES OF THE FOLIO AND QUARTO TEXTS ................ ..xxix FOOTNOTE CODE .......... ALPHABETICAL FOOTNOTE CODING ...... FOOTNOTE CODING BY TOPIC ...
... SCENE , AND LINE NUMBERING SPECIFIC TO THIS TEXT ..... xxvi COMMON TYPESETTING PECULIARITIES OF THE FOLIO AND QUARTO TEXTS ................ ..xxix FOOTNOTE CODE .......... ALPHABETICAL FOOTNOTE CODING ...... FOOTNOTE CODING BY TOPIC ...
Seite 3
... scene divisions , and ( for the most part ) the prefixes used for each character will be as set in the First Folio . In addition , new , on page , visual symbols specially devised for these texts will help point out both the major ...
... scene divisions , and ( for the most part ) the prefixes used for each character will be as set in the First Folio . In addition , new , on page , visual symbols specially devised for these texts will help point out both the major ...
Seite 3
... scene to scene , the change usually reflecting the character's new function or status . Thus in The Comedy of Errors , as a drinking companion of the local Antipholus , the goldsmith Angelo is re- ferred to by his given name ' Ang ...
... scene to scene , the change usually reflecting the character's new function or status . Thus in The Comedy of Errors , as a drinking companion of the local Antipholus , the goldsmith Angelo is re- ferred to by his given name ' Ang ...
Seite 4
... scene is affected by the action the direction demands , whereas the Playhouse directions ( to the side of the text ) serve to underscore what is already taking place . ( If a word is needed to distinguish the two , the centred ...
... scene is affected by the action the direction demands , whereas the Playhouse directions ( to the side of the text ) serve to underscore what is already taking place . ( If a word is needed to distinguish the two , the centred ...
Seite 5
... Scene 2. Q2 sets the four - line speech as prose , and most modern texts follow suit . However , F1 , faced with a ... scene . Two major reasons are offered for the changes . First , either ( a few ) prose lines suddenly appear in what ...
... Scene 2. Q2 sets the four - line speech as prose , and most modern texts follow suit . However , F1 , faced with a ... scene . Two major reasons are offered for the changes . First , either ( a few ) prose lines suddenly appear in what ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse