The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 5
... few ) prose lines suddenly appear in what essentially is a verse scene ( or a few verse lines in a sea of prose ) and the modern texts , feeling the scene should be standardised , restructure the offending lines accordingly . The ...
... few ) prose lines suddenly appear in what essentially is a verse scene ( or a few verse lines in a sea of prose ) and the modern texts , feeling the scene should be standardised , restructure the offending lines accordingly . The ...
Seite 5
... LINES A definition , and their importance to the Shakespeare texts Essentially , split lines are short lines of verse which , when placed together , form the equivalent of a full verse line . Most commentators suggest they are very ...
... LINES A definition , and their importance to the Shakespeare texts Essentially , split lines are short lines of verse which , when placed together , form the equivalent of a full verse line . Most commentators suggest they are very ...
Seite 6
... short lines follow each other . If there are three short lines in succession , which should be joined , # 1 and # 2 , or # 2 and # 3 ? Later in the same scene , Claudio's sister Isabella has , at the insistence of Claudio's friend Lucio ...
... short lines follow each other . If there are three short lines in succession , which should be joined , # 1 and # 2 , or # 2 and # 3 ? Later in the same scene , Claudio's sister Isabella has , at the insistence of Claudio's friend Lucio ...
Seite 6
... short lines directly under one another , as shown in the exam- ples above . In 1778 George Steevens , a highly respected editor , started to show split lines a new way , by advancing the second split line to just beyond where the first ...
... short lines directly under one another , as shown in the exam- ples above . In 1778 George Steevens , a highly respected editor , started to show split lines a new way , by advancing the second split line to just beyond where the first ...
Seite 7
... short lines , or more , in succession ) and by the symbol } when the possibility of springboarding exists . Thus the Folio Texts would show the first Angelo / Provost example as : Angelo Did I not tell thee yea ? hadst thou not order ...
... short lines , or more , in succession ) and by the symbol } when the possibility of springboarding exists . Thus the Folio Texts would show the first Angelo / Provost example as : Angelo Did I not tell thee yea ? hadst thou not order ...
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Häufige Begriffe und Wortgruppen
Adrian altered Anthonio Anthonio Sebastian APPLAUSE Ariel Prospero beleeve Boteswaine brother Caliban cam'st Ceres character Cicely Berry comma commas marked compositor do's do'st Duke of Millaine Elizabethan ENTER ARIELL Exeunt Exit F2/most modern texts F3/most Father Ferdinand Ff set Ff's Ff/Qq Folio footnote Gonzalo grammatical hath hee's heere I'le i'th ISBN King Kristin Linklater line numbering line structure Lord magic major punctuation Marowitz Measure for Measure Midsummer Nights Dream Miranda Miranda Prospero modern texts indicate modern texts set modern texts suggest Monster Musicke Naples Neil Freeman o'th occasionally onstage pause play Playhouse copy printed prose Prospero Ariel Quarto Ralph Crane reader rhetoric scene script Sebastian Anthonio selfe sentence set a period short lines song sonne speech Spirit stage directions Stephano Trinculo strange Sycorax syllables Tempest texts will set Theatre theatrical thee Third Folio thou thought Tina Packer William Shakespeare word