The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 1
... phrases ......... Line structure changes related to problems of ' casting - off ' Lines structure changes not related to problems of ' casting - off ' The special problems affecting what are known as ' shared ' or ' split ' verse lines ...
... phrases ......... Line structure changes related to problems of ' casting - off ' Lines structure changes not related to problems of ' casting - off ' The special problems affecting what are known as ' shared ' or ' split ' verse lines ...
Seite 5
... SPLIT ' VERSE LINES A definition , and their importance to the Shakespeare texts Essentially , split lines are short lines of verse which , when placed together , form the equivalent of a full verse line . Most commentators suggest they ...
... SPLIT ' VERSE LINES A definition , and their importance to the Shakespeare texts Essentially , split lines are short lines of verse which , when placed together , form the equivalent of a full verse line . Most commentators suggest they ...
Seite 6
... lines directly under one another , as shown in the exam- ples above . In 1778 George Steevens , a highly respected editor , started to show split lines a new way , by advancing the second split line to just beyond where the first split line ...
... lines directly under one another , as shown in the exam- ples above . In 1778 George Steevens , a highly respected editor , started to show split lines a new way , by advancing the second split line to just beyond where the first split line ...
Seite 7
... split lines may not be split lines at all . He offers two other suggestions : pauses and hesitations could exist between each line , or the lines could in fact be spoken one on top of another , a very important consideration for the ...
... split lines may not be split lines at all . He offers two other suggestions : pauses and hesitations could exist between each line , or the lines could in fact be spoken one on top of another , a very important consideration for the ...
Seite 7
... split lines ' most modern texts refuse to set any of them , but combine them : How cams't thou hither . Tell me and ... line dropping of text when- ever a new sentence begins . The underlying principle behind these texts is that since ...
... split lines ' most modern texts refuse to set any of them , but combine them : How cams't thou hither . Tell me and ... line dropping of text when- ever a new sentence begins . The underlying principle behind these texts is that since ...
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Häufige Begriffe und Wortgruppen
action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse