The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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Seite 3
... stage directions , the act and scene divisions , and ( for the most part ) the prefixes used for each character will be as set in the First Folio . In addition , new , on page , visual symbols specially devised for these texts will help ...
... stage directions , the act and scene divisions , and ( for the most part ) the prefixes used for each character will be as set in the First Folio . In addition , new , on page , visual symbols specially devised for these texts will help ...
Seite 4
... stage directions , not to the words themselves or when they occur , but to the way they are going to be presented visu- ally . Scholars agree F1 contains two different types of stage direction : those that came in the original ...
... stage directions , not to the words themselves or when they occur , but to the way they are going to be presented visu- ally . Scholars agree F1 contains two different types of stage direction : those that came in the original ...
Seite
... STAGE DIRECTIONS These are the ones presumed to come from the manuscript copy closest to Shakespeare's own hand ( F1 sets them centred , on a separate line ) . They usually have a direct effect on the scene , altering what has been ...
... STAGE DIRECTIONS These are the ones presumed to come from the manuscript copy closest to Shakespeare's own hand ( F1 sets them centred , on a separate line ) . They usually have a direct effect on the scene , altering what has been ...
Seite
... stage directions added or altered by modern texts a solo split line for a single character ( see pp . xv - xvi above ) SPD ? ST STRUCT UE VP W WHO WS matters xxxiii XIV XV.
... stage directions added or altered by modern texts a solo split line for a single character ( see pp . xv - xvi above ) SPD ? ST STRUCT UE VP W WHO WS matters xxxiii XIV XV.
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... STAGE DIRECTIONS , ETC. A asides P change in prefix assigned to a character SD UE WHO stage directions added or altered by modern texts an unusual entrance ( set to the side of the text ) or exit ( set on a sep- arate line ) ( in a ...
... STAGE DIRECTIONS , ETC. A asides P change in prefix assigned to a character SD UE WHO stage directions added or altered by modern texts an unusual entrance ( set to the side of the text ) or exit ( set on a sep- arate line ) ( in a ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse