The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
Im Buch
Ergebnisse 1-5 von 15
Seite
... strange grouping to the opening en- try of Act Three Scene 3 , p . 54 this script . However , it is not always easy to distinguish if a direction is ' centred ' or not . Some are centred but not on a separate line , such as Ariel's exit ...
... strange grouping to the opening en- try of Act Three Scene 3 , p . 54 this script . However , it is not always easy to distinguish if a direction is ' centred ' or not . Some are centred but not on a separate line , such as Ariel's exit ...
Seite
... strange enchanted quality is brought to the scene ; certainly this would be justified dramatically , since Ariel has infused the whole passage with his invisible ( to them ) presence and music . Most modern texts set the complete ...
... strange enchanted quality is brought to the scene ; certainly this would be justified dramatically , since Ariel has infused the whole passage with his invisible ( to them ) presence and music . Most modern texts set the complete ...
Seite
... strange music , and the recent ' bereavement ' , all while enchanted . The modern text's restructuring of the aster- isked moments may be ' correct ' , but the result is to create a totally different , ratio- nal state of being from the ...
... strange music , and the recent ' bereavement ' , all while enchanted . The modern text's restructuring of the aster- isked moments may be ' correct ' , but the result is to create a totally different , ratio- nal state of being from the ...
Seite 10
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite 19
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse