The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... structure changes related to problems of ' casting - off ' Lines structure changes not related to problems of ' casting - off ' The special problems affecting what are known as ' shared ' or ' split ' verse lines ...
... structure changes related to problems of ' casting - off ' Lines structure changes not related to problems of ' casting - off ' The special problems affecting what are known as ' shared ' or ' split ' verse lines ...
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... structure of the lines ( including those moments of peculiar verse or unusual prose ) , the stage directions , the act and scene divisions , and ( for the most part ) the prefixes used for each character will be as set in the First ...
... structure of the lines ( including those moments of peculiar verse or unusual prose ) , the stage directions , the act and scene divisions , and ( for the most part ) the prefixes used for each character will be as set in the First ...
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... structure will not be followed is when at the end of a very long line , the final word or part of the word cannot fit onto the single line , nor be set as a new line in F1 because of the text that follows and is therefore set above or ...
... structure will not be followed is when at the end of a very long line , the final word or part of the word cannot fit onto the single line , nor be set as a new line in F1 because of the text that follows and is therefore set above or ...
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... STRUCTURE CHANGES RELATED TO PROBLEMS OF ' CASTING - OFF ' The First Folio was usually prepared in blocks of twelve pages at a time . Six pairs of pages would be prepared , working both forward and backward simultaneously . Thus from ...
... STRUCTURE CHANGES RELATED TO PROBLEMS OF ' CASTING - OFF ' The First Folio was usually prepared in blocks of twelve pages at a time . Six pairs of pages would be prepared , working both forward and backward simultaneously . Thus from ...
Seite 5
... STRUCTURE CHANGES NOT RELATED TO PROBLEMS OF ' CASTING - OFF ' In addition , modern texts regularly make changes to F1's line structure which are not related to ' white ' or ' crammed ' space , often to the detriment of both char- acter ...
... STRUCTURE CHANGES NOT RELATED TO PROBLEMS OF ' CASTING - OFF ' In addition , modern texts regularly make changes to F1's line structure which are not related to ' white ' or ' crammed ' space , often to the detriment of both char- acter ...
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Häufige Begriffe und Wortgruppen
action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse