The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... theatrical clarification by the Playhouse . The scholars conjecture that the literary or manuscript directions , presumably from Shakespeare , mainly dealing with entries and key actions such as battles , are those that F1 sets centred ...
... theatrical clarification by the Playhouse . The scholars conjecture that the literary or manuscript directions , presumably from Shakespeare , mainly dealing with entries and key actions such as battles , are those that F1 sets centred ...
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... theatrical and / or character clues for reader and theatre person alike . In these texts , F1's line structure will be set as is , and all such modern alterations ( prose to verse , verse to prose , regularisation of originally ...
... theatrical and / or character clues for reader and theatre person alike . In these texts , F1's line structure will be set as is , and all such modern alterations ( prose to verse , verse to prose , regularisation of originally ...
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... theatrical process . Even if the scripts are being read just for pleasure , at the back of the reader's mind should be the notion of characters on a stage and actors acting ( and the word ' process ' rather than ' practice ' is ...
... theatrical process . Even if the scripts are being read just for pleasure , at the back of the reader's mind should be the notion of characters on a stage and actors acting ( and the word ' process ' rather than ' practice ' is ...
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... theatrical and tex- tual and will be confined to three major areas : noting where and how the modern texts alter F1's line structure ; showing popular alternative word readings often selected by the modern texts ( these scripts will ...
... theatrical and tex- tual and will be confined to three major areas : noting where and how the modern texts alter F1's line structure ; showing popular alternative word readings often selected by the modern texts ( these scripts will ...
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... theatrical rule of thumb guideline to such irregularities , viz .: if lines are slightly longer than pentameter , then the characters so involved have too much information coursing through them to be contained within the ' norms ' of ...
... theatrical rule of thumb guideline to such irregularities , viz .: if lines are slightly longer than pentameter , then the characters so involved have too much information coursing through them to be contained within the ' norms ' of ...
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action actors againe allow Alonso altered Anthonio appearance Ariel begins bring brother Caliban changes character choice compositor copy correct created Elizabethan ENTER entry especially example Exit eyes Father Ferdinand Ff set Folio follow footnote give Gonzalo hand hath heare heere indicate Island King letter looke Lord magic major mark Master meaning Millaine Miranda modern texts set Monster Naples needs occasionally offer once original passage pause period play possible prepared present printed problem prose Prospero punctuation Quarto reader reading referred rhetoric scene script Sebastian seen selfe sentence separate Shakespeare short lines single sometimes speaking speech Spirit split lines stage directions Stephano strange structure suggesting syllables tell Tempest Theatre theatrical thee thing thou thought Trinculo usually verse