Discourse, Band 14Indiana University Press, 1992 |
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Seite 80
... desire . My desire ... how can I desire if I do not exist ? If I lead a mere shadow - existence ? How am I supposed to desire the other if I am the other's own shadow ? There is only this single Other left in me the history of my ...
... desire . My desire ... how can I desire if I do not exist ? If I lead a mere shadow - existence ? How am I supposed to desire the other if I am the other's own shadow ? There is only this single Other left in me the history of my ...
Seite 100
desire , inheritance , and class . He interprets these specific discus- sions as threatening the effective coordination of the legal nar- ratives of the State , subjectivity , and citizenship ( 72-88 ) . The specific narrative ...
desire , inheritance , and class . He interprets these specific discus- sions as threatening the effective coordination of the legal nar- ratives of the State , subjectivity , and citizenship ( 72-88 ) . The specific narrative ...
Seite 97
... desire , and femininity . For as she claims that writing by and about the nineteenth - century domestic woman constructs dominant modes of sexuality and desire , Arm- strong assumes that the subject of sexual desire is male and the ...
... desire , and femininity . For as she claims that writing by and about the nineteenth - century domestic woman constructs dominant modes of sexuality and desire , Arm- strong assumes that the subject of sexual desire is male and the ...
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Fluxus Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jamie Owen Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political position postmodern practices production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York