Discourse, Band 14Indiana University Press, 1992 |
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Seite 31
... language . " Material and Media - The Language of Performance - In addition to painting and the body , music and time , lan- guage as well now became a prototypical element of perfor- mance action - poetry . Painting and music supplied ...
... language . " Material and Media - The Language of Performance - In addition to painting and the body , music and time , lan- guage as well now became a prototypical element of perfor- mance action - poetry . Painting and music supplied ...
Seite 89
... language , to the sounds and cries a human being makes before language is learned " ( 4 ) . She continues : " Because the person in pain is ordinarily so bereft of the resources of speech , it is not surprising that the language of pain ...
... language , to the sounds and cries a human being makes before language is learned " ( 4 ) . She continues : " Because the person in pain is ordinarily so bereft of the resources of speech , it is not surprising that the language of pain ...
Seite 146
... language . In Being and Nothingness , Sartre analyzes the gaze and its mediation of otherness as " a fundamental mode of language " ( 455 ) . According to Sartre , language is already given in the rec- ognition of the Other . In this ...
... language . In Being and Nothingness , Sartre analyzes the gaze and its mediation of otherness as " a fundamental mode of language " ( 455 ) . According to Sartre , language is already given in the rec- ognition of the Other . In this ...
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