Shakespeare's Early TragediesMethuen, 1968 - 214 Seiten Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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Seite 40
... scene ' , which shows similar interest in Hieronimo's insanity , again unlike Kyd's original scenes . That was probably written about 1600 and it seems to me likely that the ' Fly scene ' in Titus dates from the same period , witnessing ...
... scene ' , which shows similar interest in Hieronimo's insanity , again unlike Kyd's original scenes . That was probably written about 1600 and it seems to me likely that the ' Fly scene ' in Titus dates from the same period , witnessing ...
Seite 54
... scene lost all power . But the full descriptive notes which survive on Kean's performance make it clear that he did not do this.2 He made the scene brilliantly per- suasive , the charm real , and he triumphed . So that when he was alone ...
... scene lost all power . But the full descriptive notes which survive on Kean's performance make it clear that he did not do this.2 He made the scene brilliantly per- suasive , the charm real , and he triumphed . So that when he was alone ...
Seite 199
... scene , but still thought that Hamlet must somehow know that Polonius was there , and so brought him on early in II . ii to over- hear the plotting which seems to me no less crude than the business he was trying to replace . The plot ...
... scene , but still thought that Hamlet must somehow know that Polonius was there , and so brought him on early in II . ii to over- hear the plotting which seems to me no less crude than the business he was trying to replace . The plot ...
Inhalt
page | 13 |
1593? | 48 |
Romeo and Juliet 1595 | 80 |
Urheberrecht | |
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Aaron action ambivalence Antony audience beast becomes blank verse blood Bolingbroke Brutus Cassius character choric Clarence Clarence's Claudius climax comedy comic conscience contrast course criticism curse death divine doth Dover Wilson dramatic dream earlier plays echoes Elizabethan emblem emblematic emerges established experience fact Faerie Queene father figure final formal ghost Hamlet hath heaven and hell Henry heroic Horatio human irony judgement Julius Caesar kind king Laertes later plays Lavinia Lucius Lucrece Marcus Margaret Mercutio mode murder nature night nobility noble obvious Ophelia pattern play's poetic poetry political Polonius prose Queen Queen Mab question Rape of Lucrece revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy Spanish Tragedy speech splendour stage storm stress structure suggested Tamora thee theme thing thou tion Titus Andronicus tone tragedy tragic utterance words
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Shakespeare's Political Drama: The History Plays and the Roman Plays Alexander Leggatt Keine Leseprobe verfügbar - 1989 |