Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 77
... Jaques ' meditation on the ' poor sequestered stag ' . It echoes the Duke's own sentimentalising of misfortune so well that we can recognise Jacques and the Duke as complementary figures , even though the Duke's ' sweet ' style and his ...
... Jaques ' meditation on the ' poor sequestered stag ' . It echoes the Duke's own sentimentalising of misfortune so well that we can recognise Jacques and the Duke as complementary figures , even though the Duke's ' sweet ' style and his ...
Seite 83
... Jaques and Touchstone are symmetrically related . Jaques himself recognises this kinship of opposites in his ambition for motley , though his description of his meeting with the fool is another example of the dramatic use of report to ...
... Jaques and Touchstone are symmetrically related . Jaques himself recognises this kinship of opposites in his ambition for motley , though his description of his meeting with the fool is another example of the dramatic use of report to ...
Seite 84
... Jaques the spectator is the only character who refuses to believe that the comedy is over . If Jaques is paradoxically at home in exile , Touchstone is out of his element in Arden , wasting his sharpness on the desert air and the ...
... Jaques the spectator is the only character who refuses to believe that the comedy is over . If Jaques is paradoxically at home in exile , Touchstone is out of his element in Arden , wasting his sharpness on the desert air and the ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words