Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 147
... Rome to the Rome of Caesar . As usual the opening scene concisely indicates what is to be salient and gives us an advantage of hindsight before any of the main characters has appeared . Two disintegrating forces have destroyed ...
... Rome to the Rome of Caesar . As usual the opening scene concisely indicates what is to be salient and gives us an advantage of hindsight before any of the main characters has appeared . Two disintegrating forces have destroyed ...
Seite 159
... Rome the next night after the assassination . At any rate , Antony instructs the man to tell Octavius , Here is a mourning Rome , a dangerous Rome , No Rome of safety for Octavius yet . The pun , an unconscious echo of Cassius's pun ...
... Rome the next night after the assassination . At any rate , Antony instructs the man to tell Octavius , Here is a mourning Rome , a dangerous Rome , No Rome of safety for Octavius yet . The pun , an unconscious echo of Cassius's pun ...
Seite 162
... Rome is set . Our day is gone ; Clouds , dews , and dangers come ; our deeds are done . and then , from Brutus , The last of all the Romans , fare thee well ! It is impossible that ever Rome Should breed thy fellow . The idea that the ...
... Rome is set . Our day is gone ; Clouds , dews , and dangers come ; our deeds are done . and then , from Brutus , The last of all the Romans , fare thee well ! It is impossible that ever Rome Should breed thy fellow . The idea that the ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words