Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 1
C. B. Cox, Brian Cox, David John Palmer. Mr Beckett's Shakespeare I Shakespeare's plays are often described as extended symbols , more or less elaborate presentations of figures in significant patterns . Two schools of criticism have ...
C. B. Cox, Brian Cox, David John Palmer. Mr Beckett's Shakespeare I Shakespeare's plays are often described as extended symbols , more or less elaborate presentations of figures in significant patterns . Two schools of criticism have ...
Seite 170
... Shakespeare . This misleading view was stated most bluntly by H. A. Taine who decided that ' Hamlet is Shakespeare ' . Bradley more temperately observed that he is at least the only Shakespearean character whom we can conceive of as the ...
... Shakespeare . This misleading view was stated most bluntly by H. A. Taine who decided that ' Hamlet is Shakespeare ' . Bradley more temperately observed that he is at least the only Shakespearean character whom we can conceive of as the ...
Seite 233
... Shakespeare and Tragedy ( 1981 ) Ralph Berry , ' Sexual imagery in Coriolanus ' , Studies in English Literature 1500–1900 , 13 ( 1973 ) A. C. Bradley , Shakespearian Tragedy ( 1904 ) ; and ' Coriolanus ' , Proceedings of the British ...
... Shakespeare and Tragedy ( 1981 ) Ralph Berry , ' Sexual imagery in Coriolanus ' , Studies in English Literature 1500–1900 , 13 ( 1973 ) A. C. Bradley , Shakespearian Tragedy ( 1904 ) ; and ' Coriolanus ' , Proceedings of the British ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words