Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 50
... action , he is intruding his own interpreta- tion of what is significant between the action and the spectator . In so doing not only does he interfere with our imaginative liberties , he also runs the risk of destroying the sensitive ...
... action , he is intruding his own interpreta- tion of what is significant between the action and the spectator . In so doing not only does he interfere with our imaginative liberties , he also runs the risk of destroying the sensitive ...
Seite 94
... action are mutually cancelling : he is a contradictory embodiment of language and action , and the point of the duel is to bring him to recognition of this reality . Sir Toby persuades him first that language is an adequate substitute ...
... action are mutually cancelling : he is a contradictory embodiment of language and action , and the point of the duel is to bring him to recognition of this reality . Sir Toby persuades him first that language is an adequate substitute ...
Seite 190
... action . Thus in the tragedy of Othello the executive causes of the action have far more to do with problems of cognition and semantics than with given psychological conditions . The central action is essentially a progress from an ...
... action . Thus in the tragedy of Othello the executive causes of the action have far more to do with problems of cognition and semantics than with given psychological conditions . The central action is essentially a progress from an ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words