Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
Ergebnisse 1-3 von 48
Seite 96
... actor playing an actor playing an actor , presents the case of one actor playing an actor to another actor playing an actor . The relations of illusion and reality touch a peak of complexity which is equalled only later 96 Terence Eagleton.
... actor playing an actor playing an actor , presents the case of one actor playing an actor to another actor playing an actor . The relations of illusion and reality touch a peak of complexity which is equalled only later 96 Terence Eagleton.
Seite 110
... actors within its limitations , from which only Richard and Margaret stand apart . In a sense this is ironical , because Richard himself is the supreme actor . From the actor's point of view , this is not one role , but many : the ...
... actors within its limitations , from which only Richard and Margaret stand apart . In a sense this is ironical , because Richard himself is the supreme actor . From the actor's point of view , this is not one role , but many : the ...
Seite 175
... actor on the stage of the Globe theatre . It is only make - belief as the insistent references to contemporary stage gossip keep stressing . In III.ii the actor playing Polonius has to say : ' I did enact Julius Caesar . I was killed i ...
... actor on the stage of the Globe theatre . It is only make - belief as the insistent references to contemporary stage gossip keep stressing . In III.ii the actor playing Polonius has to say : ' I did enact Julius Caesar . I was killed i ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words