Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
Ergebnisse 1-3 von 71
Seite 36
... audience new to the play - and we expected to have many who would not be familiar with the plot , especially among the schoolchildren - the audience had been carefully led to believe in what is admittedly a most unlikely situation ...
... audience new to the play - and we expected to have many who would not be familiar with the plot , especially among the schoolchildren - the audience had been carefully led to believe in what is admittedly a most unlikely situation ...
Seite 41
... audience . In a successful dramatic experience the imaginative resources of the poet , the actor and the audience will be fused in unison . Like all dramatists writing before the establishment of the tedious conventions of Realism ...
... audience . In a successful dramatic experience the imaginative resources of the poet , the actor and the audience will be fused in unison . Like all dramatists writing before the establishment of the tedious conventions of Realism ...
Seite 111
... audience most wanted to see . His entry , or his cue rather , was used as the moment for passing the hat round . He had , like other kinds of clown , a special relationship with the audience , a kind of sly ironic confidence insinuated ...
... audience most wanted to see . His entry , or his cue rather , was used as the moment for passing the hat round . He had , like other kinds of clown , a special relationship with the audience , a kind of sly ironic confidence insinuated ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words