Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 34
... aware of the significance for Western culture of their deed is immaterial to Shakespeare's intention : what is vital to it is that the audience should be aware of the significance of the assassination , and not simply intellectually ...
... aware of the significance for Western culture of their deed is immaterial to Shakespeare's intention : what is vital to it is that the audience should be aware of the significance of the assassination , and not simply intellectually ...
Seite 174
... aware of this . He may send Rosencrantz and Guildenstern into a drama of false friendship so that he can extract information from their old school chum . But he is painfully aware of the values that such devices seem to ignore . His ...
... aware of this . He may send Rosencrantz and Guildenstern into a drama of false friendship so that he can extract information from their old school chum . But he is painfully aware of the values that such devices seem to ignore . His ...
Seite 201
... aware of the moral significance of the action and of his own responsibility , and the audience , thus aware of his awareness , is enabled to go beyond judgement to an emotion that may , however inadequately , be identified as ' awe ...
... aware of the moral significance of the action and of his own responsibility , and the audience , thus aware of his awareness , is enabled to go beyond judgement to an emotion that may , however inadequately , be identified as ' awe ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words