Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 24
... begins . And this , Knights would claim , is absurd . For Falstaff before the action opens does not exist . A real person , we non - Berkleians know very well , is liable to be doing things when we are not watching him . But with ...
... begins . And this , Knights would claim , is absurd . For Falstaff before the action opens does not exist . A real person , we non - Berkleians know very well , is liable to be doing things when we are not watching him . But with ...
Seite 65
... begins to rail at Claudio and the prince , whereupon Antonio , catching his mood and feeling it more deeply - for we have no reason to suppose that he is in the secret – begins to rage and threaten , becoming more and more beside ...
... begins to rail at Claudio and the prince , whereupon Antonio , catching his mood and feeling it more deeply - for we have no reason to suppose that he is in the secret – begins to rage and threaten , becoming more and more beside ...
Seite 196
... begins his infusion of cynicism into the situation . In his dialogue with Desdemona he counters the idealistic ... begin and continue the process , the element in the situation that provides him with his chance and his success . It is ...
... begins his infusion of cynicism into the situation . In his dialogue with Desdemona he counters the idealistic ... begin and continue the process , the element in the situation that provides him with his chance and his success . It is ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words