Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Ergebnisse 1-3 von 93
Seite 22
... character of the speaker ... The reader will not now be surprised if I affirm that those characters in Shakespeare , which are seen only in part , are yet capable of being unfolded and understood in the whole ; every part being in fact ...
... character of the speaker ... The reader will not now be surprised if I affirm that those characters in Shakespeare , which are seen only in part , are yet capable of being unfolded and understood in the whole ; every part being in fact ...
Seite 28
... characters in an open work of art are different from those in a closed one . The author does not present them to the reader as if he understood them through and through . We have the feeling Morgann tried to describe , that they are ice ...
... characters in an open work of art are different from those in a closed one . The author does not present them to the reader as if he understood them through and through . We have the feeling Morgann tried to describe , that they are ice ...
Seite 39
... characters : ' Thus play I in one person many people , / And none contented . ' Yet a new identity he must find as long as he is still living : But , whate'er I be , Nor I , nor any man that but man is , With nothing shall be pleased ...
... characters : ' Thus play I in one person many people , / And none contented . ' Yet a new identity he must find as long as he is still living : But , whate'er I be , Nor I , nor any man that but man is , With nothing shall be pleased ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words