Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Ergebnisse 1-3 von 29
Seite 7
... come to recognise that each of these characters needs the mere presence of his fellow.1 These revelations are presented in ... comes ' on beam ' , according to some traditional setting . But this screen is important for itself , and its ...
... come to recognise that each of these characters needs the mere presence of his fellow.1 These revelations are presented in ... comes ' on beam ' , according to some traditional setting . But this screen is important for itself , and its ...
Seite 11
... comes . - Cannot a plain man live and think no harm ? – Come , cousin , canst thou quake , and change thy colour ... ? - Come , let us to our holy task again . Hastings judges that ' His Grace looks cheerfully and smooth 11 Mr Beckett's ...
... comes . - Cannot a plain man live and think no harm ? – Come , cousin , canst thou quake , and change thy colour ... ? - Come , let us to our holy task again . Hastings judges that ' His Grace looks cheerfully and smooth 11 Mr Beckett's ...
Seite 65
... comes out inevitably with a hard , sneering edge . - That scene develops interestingly , bearing out the view that the story in itself was not repugnant to Shakespeare ; he found plenty of interest in it . Antonio , a very minor ...
... comes out inevitably with a hard , sneering edge . - That scene develops interestingly , bearing out the view that the story in itself was not repugnant to Shakespeare ; he found plenty of interest in it . Antonio , a very minor ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words