Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 49
... creating the scene , to use the resources of its own imagination , and , in listen- ing to the characters on stage , to ... created in the mind of the audience , and that to dress the set in a realistic way may only serve to confuse the ...
... creating the scene , to use the resources of its own imagination , and , in listen- ing to the characters on stage , to ... created in the mind of the audience , and that to dress the set in a realistic way may only serve to confuse the ...
Seite 89
... created illusion - the letter written by Toby and his friends – which has all the force of reality . Malvolio's laborious tracing out of letters , words and meanings is an image of a man falling under the false power of language ...
... created illusion - the letter written by Toby and his friends – which has all the force of reality . Malvolio's laborious tracing out of letters , words and meanings is an image of a man falling under the false power of language ...
Seite 93
... created illusion , when he is induced to duel with Viola . Belch's manipulation of the duel is a striking instance of illusion creating reality : by mediating illusory information about each other to Viola and Aguecheek , Belch creates ...
... created illusion , when he is induced to duel with Viola . Belch's manipulation of the duel is a striking instance of illusion creating reality : by mediating illusory information about each other to Viola and Aguecheek , Belch creates ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words