Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 9
... critics who hunt for ' significance ' that Beckett's momentary symbolism may appear thoroughly un - Elizabethan , a kind of drama that Shakespeare could not have attempted . Yet occasionally , even these critics seem to recognise ...
... critics who hunt for ' significance ' that Beckett's momentary symbolism may appear thoroughly un - Elizabethan , a kind of drama that Shakespeare could not have attempted . Yet occasionally , even these critics seem to recognise ...
Seite 14
... criticism which is capable of comprehending a great range of the reactions recorded by critics and men of the theatre from many ages and with many differing sensibilities . VII Measure for Measure is another play with at least two faces ...
... criticism which is capable of comprehending a great range of the reactions recorded by critics and men of the theatre from many ages and with many differing sensibilities . VII Measure for Measure is another play with at least two faces ...
Seite 202
... critics on the other hand tidy away the corpses by exalting them into intimations of immortality . For Helen Gardner the tableau of Lear holding his dead daughter in his arms recalls the image of Mary holding the body of Jesus . 2O . J ...
... critics on the other hand tidy away the corpses by exalting them into intimations of immortality . For Helen Gardner the tableau of Lear holding his dead daughter in his arms recalls the image of Mary holding the body of Jesus . 2O . J ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words