Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 24
... existence really does depend wholly upon their being perceived . It is illogical to ask whether Falstaff is really a coward since Falstaff is not really anything at all . Illusion is what he is made of.9 Now all this sounds much better ...
... existence really does depend wholly upon their being perceived . It is illogical to ask whether Falstaff is really a coward since Falstaff is not really anything at all . Illusion is what he is made of.9 Now all this sounds much better ...
Seite 89
... existence and reduces it to a corpse , an inanimate nothing . In both cases , money and language control , and yet cannot control , reality : they dominate and determine it as a superior power , yet since their mode of domination is to ...
... existence and reduces it to a corpse , an inanimate nothing . In both cases , money and language control , and yet cannot control , reality : they dominate and determine it as a superior power , yet since their mode of domination is to ...
Seite 143
... existence unchanged in a thousand years . Under Juliet's particular gift , in the action that follows , for saying ' Ay ' to a situation , lies any small child's easily - observed habit of hopefully saying ' Yes ' to anything ; and ...
... existence unchanged in a thousand years . Under Juliet's particular gift , in the action that follows , for saying ' Ay ' to a situation , lies any small child's easily - observed habit of hopefully saying ' Yes ' to anything ; and ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words