Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 6
... follow another series of momentary symbols , Estragon and Vladimir are ' all mankind ' ( but at another time two individuals isolated from society ) ; and , in helplessness , Pozzo is likewise ' all mankind ' ( and elsewhere ' Landlord ...
... follow another series of momentary symbols , Estragon and Vladimir are ' all mankind ' ( but at another time two individuals isolated from society ) ; and , in helplessness , Pozzo is likewise ' all mankind ' ( and elsewhere ' Landlord ...
Seite 109
... follows : ' I'll have her ; but I will not keep her long ' ( 229 ) . The abrupt change of utterance makes a sharp critical comment on the whole mode of the scene ; in a way , on the whole play . The rhetorical mode in which Richard III ...
... follows : ' I'll have her ; but I will not keep her long ' ( 229 ) . The abrupt change of utterance makes a sharp critical comment on the whole mode of the scene ; in a way , on the whole play . The rhetorical mode in which Richard III ...
Seite 110
... follows that his relation to the audience- to us - is essentially different from anyone else's and this is established in his very first speech , in the unusual manner of opening a play with the solo appearance of the leading actor ...
... follows that his relation to the audience- to us - is essentially different from anyone else's and this is established in his very first speech , in the unusual manner of opening a play with the solo appearance of the leading actor ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words