Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 67
... give these simple indications merely as a way of showing that it is not in the least difficult to imagine an effective speech that Claudio might make at this point in the action - how he might , even now , show some saving humanity ...
... give these simple indications merely as a way of showing that it is not in the least difficult to imagine an effective speech that Claudio might make at this point in the action - how he might , even now , show some saving humanity ...
Seite 117
... give over this life , and I will give it over ' ( I.ii.92 ) . The soliloquy clearly has an important dramatic function : it distinguishes the Prince at the begin- ning of the play from the wild youth that others , including Falstaff and ...
... give over this life , and I will give it over ' ( I.ii.92 ) . The soliloquy clearly has an important dramatic function : it distinguishes the Prince at the begin- ning of the play from the wild youth that others , including Falstaff and ...
Seite 121
... give the devil his due ' , but his other accounts must be settled by Hal on his behalf : Prince Why , what a pox have I to do with my hostess of the tavern ? Falstaff Well , thou hast call'd her to a reckoning many a time and oft ...
... give the devil his due ' , but his other accounts must be settled by Hal on his behalf : Prince Why , what a pox have I to do with my hostess of the tavern ? Falstaff Well , thou hast call'd her to a reckoning many a time and oft ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words