Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 2
... idea , and they value individual plays as they present ' symbols ' of that idea . II Judged by this measure our present generation of dramatists will seem feckless . Ionesco has renounced ideas : I have no ideas before I write a play I ...
... idea , and they value individual plays as they present ' symbols ' of that idea . II Judged by this measure our present generation of dramatists will seem feckless . Ionesco has renounced ideas : I have no ideas before I write a play I ...
Seite 227
... idea that we are taken beyond the conventional Aristotelian tragic responses into ' an area of paradox beyond the effective reach of merely human pity ' is both an attempt to solve the problem of ' placing ' the play and an indication ...
... idea that we are taken beyond the conventional Aristotelian tragic responses into ' an area of paradox beyond the effective reach of merely human pity ' is both an attempt to solve the problem of ' placing ' the play and an indication ...
Seite 228
... idea needs to be explored in its relevance to the rest of the play ( the politics of Rome , for example ) before it can radically affect our responses to Coriolanus . To point out a fundamentally relevant idea is precisely the quality ...
... idea needs to be explored in its relevance to the rest of the play ( the politics of Rome , for example ) before it can radically affect our responses to Coriolanus . To point out a fundamentally relevant idea is precisely the quality ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words