Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
Ergebnisse 1-3 von 25
Seite 43
... imagination . Theseus is sympathetic : ' The best in this kind are but shadows ' , he says , ' and the worst are no worse if imagination amend them ' . We are not far from the Chorus in Henry V in Theseus's apology for the mechanicals ...
... imagination . Theseus is sympathetic : ' The best in this kind are but shadows ' , he says , ' and the worst are no worse if imagination amend them ' . We are not far from the Chorus in Henry V in Theseus's apology for the mechanicals ...
Seite 44
... imagination can create what it desires . ' If it would apprehend some joy , / It comprehends some bringer of that joy . ' This is a most significant and bold statement concerning the function and power of art . Shakespeare uses the word ...
... imagination can create what it desires . ' If it would apprehend some joy , / It comprehends some bringer of that joy . ' This is a most significant and bold statement concerning the function and power of art . Shakespeare uses the word ...
Seite 46
... imagination , a great creative consciousness . As he , the poet - magician , cre- ated the performers of the masque , so he and the creatures of the play The Tempest are figments of Shakespeare's imagination , and so Shakespeare himself ...
... imagination , a great creative consciousness . As he , the poet - magician , cre- ated the performers of the masque , so he and the creatures of the play The Tempest are figments of Shakespeare's imagination , and so Shakespeare himself ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words