Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 13
... interest is sustained almost to the conclusion of the play : Richard's answer to fear is action , speed , exaggeration , and courage . At the last he is still questioning and has a new interest in omens , but he ' enacts more wonders ...
... interest is sustained almost to the conclusion of the play : Richard's answer to fear is action , speed , exaggeration , and courage . At the last he is still questioning and has a new interest in omens , but he ' enacts more wonders ...
Seite 202
... interest in Lear's supposed progress to self - knowledge is still the most popular means of evading the story and its painful ending . Some modern critics may take a gloomy view of the Lear universe but Lear himself is usually seen as ...
... interest in Lear's supposed progress to self - knowledge is still the most popular means of evading the story and its painful ending . Some modern critics may take a gloomy view of the Lear universe but Lear himself is usually seen as ...
Seite 210
... interest in saving his kingdom . But Lear's re - established love of Cordelia , as we shall see , does not involve accepting the truth about her . He can credit her giving him house- room as a private person in her new French home . He ...
... interest in saving his kingdom . But Lear's re - established love of Cordelia , as we shall see , does not involve accepting the truth about her . He can credit her giving him house- room as a private person in her new French home . He ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words