Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 70
... kind postulated by the question , ' What was Hamlet doing during those years ? ' The drama cannot . But it is not , to me , self - evident that the imaginative process involved , for either writer or spectator , is so very different ...
... kind postulated by the question , ' What was Hamlet doing during those years ? ' The drama cannot . But it is not , to me , self - evident that the imaginative process involved , for either writer or spectator , is so very different ...
Seite 141
... kind of reversal occurs in that the weaning produces an ( if anything ) even more formidable storm in the small child , a cataclysmic infant rage satirised by the unfluttered Nurse : To see it tetchy , and fall out with the dug ! Shake ...
... kind of reversal occurs in that the weaning produces an ( if anything ) even more formidable storm in the small child , a cataclysmic infant rage satirised by the unfluttered Nurse : To see it tetchy , and fall out with the dug ! Shake ...
Seite 226
... kind from the great tragedies , even among critics who would not agree with Enright's frank demotion . For example , O. J. Campbell's remarks on its political nature are made in the service of suggesting that Coriolanus is not a ...
... kind from the great tragedies , even among critics who would not agree with Enright's frank demotion . For example , O. J. Campbell's remarks on its political nature are made in the service of suggesting that Coriolanus is not a ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words